Josh T Franco
Art history, made by hand.
WORDS
Marfa, Marfa (forthcoming book)
zingchats
Exhibition Statements
Reviews
Brown Neon: An Interview with Raquel Gutiérrez
Influence/Inheritance: Hiram y Miguel at Play
Dear Felix (On Queer Brown Envy)
A Questionnaire on Decolonization
There Are No Amateurs in Far West Texas
American Rupestria: Teresita Fernández
The Bound Critics
Hispanic Hoopla
Dear Theaster: Considering Black Power and Rasquachismo
Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
POSED-MINIMALISM
Yo Soy Guadalupe
Diversity statement for School of Visual Arts MFA Fine Arts Program
Look Slow, Beware Set
Dear Joshua, All My Love
-empyre-soft_skinned_space
EXPOSED: Process, Couture and Photography in Marfa, Texas
Letter To Donald Judd
MARFITA: A Toltec Methodology
Rebozo [Man] In Nepantla
(Un)traceable Circuits: Insects, Cognition, and Mexican Masks
ART
My Practice
Stone Resting on Georgia O'Keeffe
SNAKE ATLAS
Aries Season
PICTURES ELSEWHERE
The Primitives' Revenge
Scriptorium con safos: Prologue
slugs’ garden / cultivo de babosas (2017)
in tlilli in tlapalli: three tejanos in red and black (otra vez)
impurity takes huevos y reading con cariño (for María Lugones)
slugs’ garden / cultivo de babosas (2014)
Injun Huntin'
in tlilli in tlapalli: three tejanos in red and black
Teléfono Piece
MARFITA
Rebozo [Man]
ABOUT
BIO
CV
PRESS + CITATIONS
CONTACT
POSTARTHISTORY
WORDS
Marfa, Marfa (forthcoming book)
zingchats
Exhibition Statements
Reviews
Brown Neon: An Interview with Raquel Gutiérrez
Influence/Inheritance: Hiram y Miguel at Play
Dear Felix (On Queer Brown Envy)
A Questionnaire on Decolonization
There Are No Amateurs in Far West Texas
American Rupestria: Teresita Fernández
The Bound Critics
Hispanic Hoopla
Dear Theaster: Considering Black Power and Rasquachismo
Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
POSED-MINIMALISM
Yo Soy Guadalupe
Diversity statement for School of Visual Arts MFA Fine Arts Program
Look Slow, Beware Set
Dear Joshua, All My Love
-empyre-soft_skinned_space
EXPOSED: Process, Couture and Photography in Marfa, Texas
Letter To Donald Judd
MARFITA: A Toltec Methodology
Rebozo [Man] In Nepantla
(Un)traceable Circuits: Insects, Cognition, and Mexican Masks
ART
My Practice
Stone Resting on Georgia O'Keeffe
SNAKE ATLAS
Aries Season
PICTURES ELSEWHERE
The Primitives' Revenge
Scriptorium con safos: Prologue
slugs’ garden / cultivo de babosas (2017)
in tlilli in tlapalli: three tejanos in red and black (otra vez)
impurity takes huevos y reading con cariño (for María Lugones)
slugs’ garden / cultivo de babosas (2014)
Injun Huntin'
in tlilli in tlapalli: three tejanos in red and black
Teléfono Piece
MARFITA
Rebozo [Man]
ABOUT
BIO
CV
PRESS + CITATIONS
CONTACT
POSTARTHISTORY
ABOUT
/
BIO
ABOUT
/
CV
ABOUT
/
PRESS + CITATIONS
ABOUT
/
CONTACT
