Untraceable Circuits by jtobiasfranco

Josh T Franco

Art history, made by hand.

  • WORDS
    • Marfa, Marfa (forthcoming book)
    • zingchats
    • Exhibition Statements
    • Reviews
    • Brown Neon: An Interview with Raquel Gutiérrez
    • Influence/Inheritance: Hiram y Miguel at Play
    • Dear Felix (On Queer Brown Envy)
    • A Questionnaire on Decolonization
    • There Are No Amateurs in Far West Texas
    • American Rupestria: Teresita Fernández
    • The Bound Critics
    • Hispanic Hoopla
    • Dear Theaster: Considering Black Power and Rasquachismo
    • Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
    • Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
    • POSED-MINIMALISM
    • Yo Soy Guadalupe
    • Diversity statement for School of Visual Arts MFA Fine Arts Program
    • Look Slow, Beware Set
    • Dear Joshua, All My Love
    • -empyre-soft_skinned_space
    • EXPOSED: Process, Couture and Photography in Marfa, Texas
    • Letter To Donald Judd
    • MARFITA: A Toltec Methodology
    • Rebozo [Man] In Nepantla
    • (Un)traceable Circuits: Insects, Cognition, and Mexican Masks
  • ART
    • My Practice
    • Stone Resting on Georgia O'Keeffe
    • SNAKE ATLAS
    • Aries Season
    • PICTURES ELSEWHERE
    • The Primitives' Revenge
    • Scriptorium con safos: Prologue
    • slugs’ garden / cultivo de babosas (2017)
    • in tlilli in tlapalli: three tejanos in red and black (otra vez)
    • impurity takes huevos y reading con cariño (for María Lugones)
    • slugs’ garden / cultivo de babosas (2014)
    • Injun Huntin'
    • in tlilli in tlapalli: three tejanos in red and black
    • Teléfono Piece
    • MARFITA
    • Rebozo [Man]
  • ABOUT
    • BIO
    • CV
    • PRESS + CITATIONS
    • CONTACT
  • POSTARTHISTORY
    • Marfa, Marfa (forthcoming book)
    • zingchats
    • Exhibition Statements
    • Reviews
    • Brown Neon: An Interview with Raquel Gutiérrez
    • Influence/Inheritance: Hiram y Miguel at Play
    • Dear Felix (On Queer Brown Envy)
    • A Questionnaire on Decolonization
    • There Are No Amateurs in Far West Texas
    • American Rupestria: Teresita Fernández
    • The Bound Critics
    • Hispanic Hoopla
    • Dear Theaster: Considering Black Power and Rasquachismo
    • Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
    • Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
    • POSED-MINIMALISM
    • Yo Soy Guadalupe
    • Diversity statement for School of Visual Arts MFA Fine Arts Program
    • Look Slow, Beware Set
    • Dear Joshua, All My Love
    • -empyre-soft_skinned_space
    • EXPOSED: Process, Couture and Photography in Marfa, Texas
    • Letter To Donald Judd
    • MARFITA: A Toltec Methodology
    • Rebozo [Man] In Nepantla
    • (Un)traceable Circuits: Insects, Cognition, and Mexican Masks
    • My Practice
    • Stone Resting on Georgia O'Keeffe
    • SNAKE ATLAS
    • Aries Season
    • PICTURES ELSEWHERE
    • The Primitives' Revenge
    • Scriptorium con safos: Prologue
    • slugs’ garden / cultivo de babosas (2017)
    • in tlilli in tlapalli: three tejanos in red and black (otra vez)
    • impurity takes huevos y reading con cariño (for María Lugones)
    • slugs’ garden / cultivo de babosas (2014)
    • Injun Huntin'
    • in tlilli in tlapalli: three tejanos in red and black
    • Teléfono Piece
    • MARFITA
    • Rebozo [Man]
    • BIO
    • CV
    • PRESS + CITATIONS
    • CONTACT
  • POSTARTHISTORY